TransPerfect Media Provides Post-Production for Four Films Honored at the 2025 Cannes Film Festival

TransPerfect, the world’s largest provider of language and AI solutions for global business, today announced that its TransPerfect Media division, specializing in audiovisual post-production and localization services, supported four award-winning films at the 2025 Cannes Film Festival.

TransPerfect Media and its recently acquired studio MPC Paris provided a range of services for numerous films screened at the festival, including the following award-winning titles:

  • Palme d’Or winner It Was Just an Accident by Jafar Panahi – French and English subtitles.

  • Jury Prize winner Sirât by Oliver Laxe – 16mm film reel processing and scanning, English and French subtitles, and sound mixed in TransPerfect’s Dolby Atmos facilities in Barcelona.

  • Special Prize winner Resurrection by Bi Gan – Visual effects and post-production sound effects.

  • Best Screenplay winner Jeunes Mères by Jean-Pierre and Luc Dardenne – Image post-production and visual effects.

The 2025 festival marked the first Cannes appearance for MPC Paris as part of TransPerfect Media. Renowned for its Emmy Award-winning work in visual effects and animation, the studio now brings its creative expertise to TransPerfect Media’s global post-production network. 

In celebration of TransPerfect’s growing presence in the creative production space and its partnership with the Cannes Film Festival, the company hosted a series of events during the festival to connect with clients, collaborators, and industry peers. These gatherings highlighted TransPerfect’s growing capabilities in post-production, visual effects, animation, restoration, subtitling, and dubbing—several of which were key services behind this year’s Cannes winners. 

TransPerfect President and Co-CEO Phil Shawe commented, “Supporting these award-winning productions is a testament to the talent and dedication of our global teams. They exemplify the impact of multilingual and multimedia collaboration in today’s film industry.”

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